With the support of Yale’s Institute for the Preservation of Cultural Heritage, the project has entered a new stage, utilizing macro X-ray fluorescence spectroscopy (MA-XRF) to analyze fifty portraits, yielding a spectrum of new data on the identity and spatial distribution of specific painting materials the evolution of the painter’s palette over this period approaches to mark making and blending as well as compositional changes that are not evident using traditional forms of spot analysis or conservation imaging. Over the course of the past five years, the Yale Center for British Art has been engaged in an in-depth technical cataloging endeavor called “Reformation to Restoration,” which, in its first phase, focused on Tudor and Stuart portraiture.
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